Gumb also had a record of assaults on gay men. Gumb had an affair with Raspail and subsequent killed the man with whom Raspail replaced him. This was the first victim in whose throat Gumb inserted a butterfly cocoon. Gumb adopted the cocoon as a symbolization because of his fascination with the change from caterpillar to beautiful butterfly. Raspail said of Gumb, who did non even like to touch his own genitals, that he was " non really gay, it was just something he picked up in jail. He's not anything, really, just a sort of total lack that he wants to fill, and so angry" (Harris 172).
When Gumb acquired an inheritance he quit his uninterrupted job and began to abduct women and "hunt" them in the dark in his rambling basement while wearing infra-red glasses and gibe them when they were sufficiently terrified. He had applied at several institutions for circumstance for transsexual surgical process but had been rejected both for fictionalisation and because his p
Harris, Thomas. The Silence of the Lambs. New York: St. Martin's, 1988.
Tardiff, Kenneth. "Homicide." innovational Perspectives in Psychosocial Pathology. Ed. John G. Howells. New York: Brunner/Mazel, 1988.
The second source was the ill-famed career of Ed Gein, a 1950s Wisconsin serial manslayer who killed numerous women and would dance in the moonlight dressed in the "faces, hair, breasts and vaginas" of the women he had killed (Grixti 92). Gein also made a variety of sign items (lampshades, upholstery, etc.) out of the skins and parts of the women.
Gein's behavior was explained in two ways: he had "a secret desire for transsexual surgery for which he lacked both the courage and the funds" and he was dictated by "a wish to recreate the form and bearing of his dead obtain" (Grixti 92). Others have argued that Gein's extreme hatred of his mother and abuse by his father reflected a humiliation that was transferred "into a later quest for power" (Hale 19). Gein was also remarkably punctilious in his approach to preserving skins and body parts -- a handsome feature of Gumb's behavior.
Rycroft, Charles. "Paranoia." The Oxford Companion to the Mind. Ed. Richard L. Gregory. Oxford: Oxford UP, 1987. 576-77.
The meticulously ordered delusional corpse that motivates Gumb is problematic in itself, however, since, in order to develop such(prenominal) a system Gumb would have had to be consistent o'er time. Paranoid delusions derive, according the psychoanalytic theory from a occurrence humiliation and the reaction formation would be begun during earlier stages of living (Rycroft 577). Changing the reaction formation many years later would not be likely. Interestingly Harris seems to have Gumb go by an identity crisis where he is simply having trouble making up his mind why he is killing people but, at a time he finds his rationale he adopts it and adheres to a whole naked as a jaybird set of rules, even while he continues to experience the similar urge toward sadistic pleasure tha
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