Albert Camus View of lIfe as the Absurd

Camus was proud to be of interracial racial descent, with his father French and his mother Spanish. The father died in World War I, so Camus knew little of his father. The family moved to the Algerian region of Belcourt, where Camus learned to fend for himself on the streets. Camus would later be proud of his working-class family and would define a virtue in their lives, though it whitethorn be that he was seeing his outgoing through nostalgic eyes and that he painted in like humansner rosy a picture of his childhood once he was an adult. He was an outgoing youth and athletic, which made it all the more than devastating to him when he was nearly seventeen and had his first assail of tuberculosis. He considered this a weakness and never talked much some it. The distemper came and went in a haphazard way, and it strengthened his sentience of death. Over the years, he would vacillate between illness and the euphory that came over tuberculosis patients when the disease would withdraw (McCarthy 10-20).

Herbert R. Lottman notes some of the slipway in which Camus incorporated his disease into his work, from a short paper he wrote about his stay in the hospital ("L'H(pital du quartier pauvre") to the disseminated sclerosis version of "Entre Oui et Non." The section on the disease in the last mentioned work was too personal for Camus, and it was omitted from the final version of the work. Clearly, though, the disease had a major influence on the development of his thought, for it wa a disease that was alway

Meursault loses his exemption in the physical sense by his performion, but in a way he gains freedom in a personal sense, freeing himself further from the confines of the life he was leading and from the moral structures he knows to have no final purpose or consequence. The Arab he kills means nothing to him. He knows that he has no quarrel with this man, though he has mother embroiled in the intrigue surrounding the Arab, his sister, and Raymond by the act of writing the letter for Raymond. Meursault begins to see for the first time that his actions may have consequences, though ultimately these consequences are as fugacious as life itself and matter not in the macrocosm of the Absurd.

In truth, all of Meursault's actions will have consequences now that he has committed this act, at least consequences in the immediate bon ton in which he lives. His lawyer does not know how to explain Meursault's lack of remorse at his mother's death, for instance, and other behaviors seen in the man by people over the years. Meursault has lived as if he were in all isolated, and he has go wronged in his moral duty to others as a result. He has done this deliberately because he does not see moral behavior as necessary in a universe in which death is the only outcome, but as Camus shows, it is still necessary to live in this world and to do so with and for other people. Meursault has been drawn into the affairs of another by his writing of the letter, and he has not foreseen what this will mean. Ultimately, Meursault sees that there is no escaping from the absurdity of life, and he determines to live as long as he can on his own terms. The universe is indifferent to his fate, and he has to care about himself. This does not really dish the ethical dilemma of the murder except that Meursault rejects temporal and spectral law as claiming to be eternal when they are not. He fails his fellow man, but he finally does not fail himself. That is also finally all that he ca
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