"Skunk Hour"

The song reel second written by Robert Lowell for Elizabeth Bishop is a poem about the feverous ness of party. The first four stanzas of Skunk Hour describe the Maine seacoast village. The amiability of his t one is a deception. He is describing more than scenery, he is describing the rotting of a ego-coloured mixer structure. The solitudinarian heiress longs for Queen Victorias century and is senile. Her social successor, the summer millionaire, is to a fault past his prime, his yawl has been auctioned off. Even constitution has gr cause former(a) and sinister, The seasons ill . . . A red bedevil stain covers black hill. The once vibrant naked as a jaybird England culture and economy have been degraded: their handed-down implements -- nets and corks of fishermen, cobblers judicatory and awl - are flat wholly items displayed by a cigarette interior decorator eager to attract moneyed tourists, just he would rather go against his sexual tendencies and marry. T he next twain stanzas turn on and threaten the first four, the poem unawares shifts from an ironic account of a disintegrating town to the low wickedness of something personal. The crumbling of a New England town now seems synecdochical as well as literal with these next stanzas. They report Lowells own feelings and it is the changing of self into landscape. Instead of observing the the seasons ill, Lowell now speaks of my ill- expression and he admits that his minds not right. He sees the graveyard hill itself as a skull, an expressionist figure of death. He projects his feelings of loveless ness into a scene in which not only the cars occupants nevertheless the love-cars themselves check hull to hull, while bleating the hit song cursory Love. precipitous from the observed scene and even from his own inner(a) self, Lowell perceives himself to be a skull of death, an empty hull in which his face chokes. after he presents himself watching the lovers in parked cars and cl aims that his spirit is ill he states, I mys! elf am hell/ nobodys here-- From this line, one send packing interpret the intention of the poem to be about self-recognition. immediately after the line nobodys here? father the skunks.

Only skunks, that lookup/ in the moonlight These skunks are the only creatures that are unswayed by the crumbling of the town and they are viewed with a literal realism that reveals an opening of the locked self. They march on their soles up Main route:/ white stripes, moonstruck eyes red fuel/ under the chalk- modify and spar spire/ of the Trinitarian Church. The pun on soles (for souls) emphasizes that these are literal, physical animals. They are standing underneath the perform with a ch alk dry and spar spire as if it too like society is becoming degraded to a lower than before tiptop and making it seem to be s church with wild aspirations. The skunks keep living their life, tiptop young and searching for fare while the speaker stands on his steps and admires them. Lowell uncovers his core self and is desperately in compliments, besides while a withdraw and helpless spectator, he projects himself onto the outside world. He writes this poem for Elizabeth Bishop as if to say its a ruffianly world out at that place to find yourself in. If you want to get a full essay, fellowship it on our website: OrderEssay.net

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