Monday, February 4, 2013

Giotto

Who: GIOTTO Di BONDONE
When: 1267/1337
Why: Beginning of the Renaissance
Where: Florence, Italy
What: Frescos of the Deposition &The kiss of Judas

Who: Giotto was the jump painter to give painting a completely contrasting direction, before him painting was known as BYZANTINE art, which meant that the paintings were phantasmal in theme, usually The Madonna and Child with gold backgrounds, really flat and lifeless.
He was discovered by a painter called CIMABUE painting sheep on a piece of slate age minding his fathers flocks. Cimabue recognised his talent and brought him back to his studio apartment in Florence. Here Giotto learned how to paint but created a style of his own that was much more lifelike and CREATED AN misrepresentation OF DEPTH (3D)
WHAT: Giotto painted FRESCOES (where the pigment is painted directly onto implike plaster on the walls) this way of painting was more indestructible and so they still last today. Giottos discovery of PERSPECTIVE, diminish & SHADE AND FORESHORTENING helped him to create the illusion of depth on a flat surface not seen since classical times. He discarded the religious themes of other artists and chose to represent scenes of the Bible as if they were real events, taking place on a stage.
WHERE: The line of business Chapel in Padua Italy was where he painted some of his superlative work, the frescoes run all around the chapel walls.

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The Deposition (Christ interpreted from the cross)
Giotto creates one of the episodes of the story of Christ; he brings the story brisk in front of us. The painting is an intenensely moving drama. His Mother, a muliebrity of almost masculine determination (Giotto always depicts her as rangy and stately) clasps the dead body to herself; Mary Magdalene humbly holds his feet, looking through and through her tears at the marks of the nails. St John makes a manic gesture of despairing grief, flinging back his arms....If you want to get a full essay, order it on our website: Orderessay



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