Friday, November 9, 2012

MIGUEL DE UNAMUNO: San Manuel Bueno

Obviously this story comes from an designer who was torn between his enlightened beliefs in existentialism and his environmental repression of those beliefs through the social ideology of Christianity.

In the story we encounter third main characters and integrity signifi fuckingt minor character. The three main characters are Manuel, who preaches and comforts his raft in ossification with the illusions he knows makes their lives more bearable, but he also knows they are illusions exclusively. We rush Lazaro, the only other individual who can get hold of the "horrible" verity of mortal life being the "only life", an individual who moldiness come to understand wherefore Manuel's duality is not hypocritical. The third main character is Angela, the narrator, who is addicted to the words and deeds of Manuel, but who is not as educated or consciously aware as Lazaro or Manuel and must retain her illusions, even though she is capable of at least(prenominal) hearing the truth, something the childly town crime syndicate, if they did hear, would not accept. Finally, the fool, Blasillo, is an alter-ego of Manuel and he is not a fool in reality. In reality he can comprehend the truth of the two Valverdes de Lucerna, "the ace at the butt end of the lake and the one reflected on its surface" (de Unamuno 176).

The history of the world is touch on on the debate between faith and reason. While Manuel is always devoted to his reflection reg


Of course, Angela is unlawful to think her brother and Manuel wore blindfolds as the simple folk did. They may be just as mortal as the simple folk, the meaning they discovered to enjoy life may have been just as much a method of retentiveness a purpose in an existential universe as the religion of the simple folk, and they may have adopted such(prenominal) a path in life only to overturn the solitude of their truthful acceptance of mortal reality, but, they could face the truth without the blindfold. She is wrong to think this because Manuel has already explained that all men face up with the existential dilemma are suicidal or troth against suicidal impulses in the face of a meaningless reality.
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His allowing people to keep their faith and illusions was not some ordained boot of God, instead it was Manuel's attempt to dispute against suicide, as the simple folk use religion to do similarly. We see this when he discusses his vex whose own illusions were engendered from a past history, one that tempted him to commit suicide, one that came to him from "a clip before memory-from birth, from his nation, as he said-and he was forced to fight against it always" (de Unamuno 162). In other words, whether one believes in illusions or truth, one is struggling against suicidal impulses throughout life. The villagers use religion to help them with the struggle, while Manuel and Lazaro fight against the struggle of suicide engendered by existential truth by parcel them do it. He tells the following to Lazaro from having been with many life-weary individuals at the time of their death, a time when he recognized their fears of going into the big abyss of unconscious reality, "For out part, Lazaro, let us go with our kind of suicide working for the people, and let them dream their lives as the lake dreams the heavens" (de Unamuno 163). In other words, he knows it will do no good for Lazaro to try to raise the collective consciousness of individuals who will never be able to handle they
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