The Ideas of Transcendentalism

The American architects with the late nineteenth century have been influenced by cultural as well as philosophical values. Cultural influences have been specifically notable in 2 major expositions which had been held during the late 1800's. For example, at the 1876 Centennial Exposition in Philadelphia, People in the usa had been exposed to Japanese styles in architecture for ones first time (Whiffen and Koeper, 1981, p. 294). In that exposition, the Japanese Pavilion provided American architects using a quantity of new ideas for their work. The pavilion's structure emphasized a horizontal plan, and timber was used as the main building material. In addition, the Japanese Pavilion inspired American architects with its "predilection for the open plan, latticework, extended eaves, a craftsmanlike assembly of parts, as well as the integration in the building with its landscaped setting" (Whiffen and Koeper, 1981, p. 294). The Centennial Exposition in Philadelphia was also influential as it introduced Individuals towards the British sort named the "Queen Anne" house (Whiffen and Koeper, 1981, p. 294). This structure, formulated to produce a quaint and comfortable residence, was being a cottage. It was always covered with shingles and featured tall roofs and chimneys as well as rounded corner towers (Olmstead and Watkins, 1978, p. 327).

Because of Maybeck's adaptive process to architectural design, his work "is unusually distinct in its use of form, space, scale, materials and expression" (Longstreth, 1985, p. 128). Maybeck often merged "what commonly were notion being incompatible materials" in quite a few of his most famous buildings (Handlin, American Architecture, 1985, p. 165). In addition, his sort shows much of eclecticism in addition to a constant shifting in between Classical and Gothic ideals. In designing his architectural works, Maybeck was primarily concerned with generating a mood or a "sense of feeling" related on the building's setting or functionality (Cardwell, 1977, p. 77). Thus, for example, he would use the lofty spaces and steep roofs on the Gothic type after he wanted to generate a feeling of inspiration; by contrast, he would use the flattened roofs sloping toward earth from the Classical type once he wanted to express human values as well as the ideals from the simple life (Cardwell, 1977, p. 77). Like Irving Gill, Maybeck felt that simple shapes and building styles have been able of evoking particular symbolic feelings. In this regard, Maybeck thought that: Warburton, Ralph. (1989). Maybeck, Bernard. Encyclopedia of Architecture Design, Engineering and Construction. Vol. 3. Joseph A. Wilkes and Robert T. Packard, eds. New York: John Wiley and Sons, pp. 356#357.

Some of Maybeck's residential homes show the influence of Gothic elements. These can be seen, for example, during the country estate referred to as "Wyntoon" that Maybeck developed for Phoebe A. Hearst. In this work, Maybeck sought to evoke the mood of a medieval castle by incorporating this sort of items as "cold rough stone, misty spaces, and dark height" (Cardwell, 1977, p. 54). Other residences by Maybeck were produced as imitations on the Swiss chalet. T

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