Jacques-Louis David was a semi semipolitical get into as well as an operative. He was more fast involved in the political life of his time than any(prenominal) other contemporary painter. During the novelty David became a Deputy and voted for the murder of Louis XVI and his utilization is heavyset marked by this fact. In his Death of Socrates David put Neo-classicism at the service of a theology based on authoritative stoicism, self-sacrifice, and stern patriotism. The picture had a dual purpose; it was to ordain a non Christian ethical motive directly to the people, and it was to prove the kin group between the art of pictorial matter of both cause and effect. Socrates, kindred Seneca, was proof that a full(prenominal) standard of morality could be achieved beyond the confines of Christianity. similar to David was Géricault, who also patronise be seen as artist whose political ambitions were sometimes reflected in his paintings. He sided with the liberal opponents of the Monarchy that was restored by and by Napoleon. This position is reflected in his faithful celebrated work, The Raft of the Medusa, a shipwreck which was a new-fashioned cataclysm of epic proportions and a political scandal of the day. The polemicism and disclosure of this work was in that Géricault hard-boiled a new(a) subject in a grand style, which was classifiable of past heroic subjects, as in The Death of Socrates.

In Géricaults opinion, modern floor painting had to concern itself with events and share of an neighboring(a) human interest and reconcile its point by a direct appeal to the viewers emotions. scorn somewhat different styles, the plug into between the two paintings is, therefore, that their political attitudes and emotions are reflected in equivalent styles and motifs. The Death of Socrates depicts the scene of a fifth-century BC Athenian prison. It is the segment before... If you want to get a full essay, order it on our website:
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